

Venue
Mediahaven Amsterdam
Amsterdam, North Holland, Netherlands
Biography of Mediahaven Amsterdam
The set that ADE ignited as a dancefloor
In October 2014, the Houthavens hosted a night that wasn't originally intended for clubbing. Mediahaven Amsterdam, a television studio complex by V8 Architects on the Minervahaven quay, opened its black boxes to Diynamic, Cocoon, and the return of Deep Dish during the Amsterdam Dance Event. Loveland was looking for a new venue; the building, delivered the previous year in concrete, steel, and glass facing the IJ, offered high ceilings, studio acoustics, and a harbor with no sound restrictions. That week turned a TV set into a home for electronic music.
Black box facing the water
The project is based on the idea that the raw structure is the finish: exposed slabs, black sprinklers, and climate control embedded in the concrete, with an A+++ energy rating. There are two studios totaling about 2,200 m². The main one reaches 12 meters in height and supports tons of rigging loads; the second, lower one, looks out over the IJ. The atrium functions as a foyer and opens to the quay with five-meter folding doors. Above are loft offices and a landscaped terrace; below, a semi-underground parking lot. EMG and Gravity Media rent the rooms for television and events. It is not a theater or a calendar nightclub: it is a flexible black box.
Three bodies when the big week arrives
In party mode, the venue is articulated into three connected spaces: two studios and a rawer basement. Afterlife, Circoloco, 909, Paradise, Music On, and Mind Against's HABITAT have all been hosted there. The geometry has remained since the debut: a high hall for the main impact, an intermediate room, and a more intimate basement. During ADE 2026, the venue remains a Loveland hub. The public does not find a club with fixed nights; they find a venue that lights up with a lineup.
A port that no longer loads timber
Minervahaven left behind the timber trade and filled up with studios, fashion, and theater. Mediahaven was a piece of that conversion: showcasing television production and, in the process, hosting the densest week of Dutch dance music. It remains an office building and a set. When ADE arrives, the black curtains of studio 1 stop being a TV horizon and become a dancefloor wall.




