The encounter between UK Bass and analog warmth
The British DJ and producer of South Sudanese descent, Mia Koden, has shaken up the current music scene with the release of her new session titled 'Broken Swing'. Published exclusively through My Analog Journal (MAJ), this mix promises to be one of the gems of the season by fusing the forcefulness of sound system culture with the warm and careful aesthetic that characterizes the popular YouTube platform. Under the subtitle "2-step & Deep Fragmented Grooves", Koden deploys a sonic arsenal that underscores her technical mastery on the decks.
My Analog Journal, founded by the London-based producer and collector Zag Erlat, has surpassed the one million subscriber mark. What began as a channel dedicated to rescuing 70s Turkish psychedelic rock vinyl has evolved into a global showcase. Selectors of the caliber of Habibi Funk or Coco María have passed through Erlat's cozy studio. The inclusion of Mia Koden in this space represents an interesting turn, bringing broken rhythms and British sub-bass to an environment usually dominated by jazz, funk, and international disco.
From Sicaria Sound to the forefront of electronic music
To understand the depth of 'Broken Swing', it is essential to review the trajectory of Sancha Ndeko, the real name behind the alias Mia Koden. Her musical education was forged between her parents' pan-African records and youthful pilgrimages to roots reggae, jungle, and dubstep raves in the United Kingdom. During her university years, the acquisition of a pair of rusted Technics 1210 turntables marked the beginning of her professional career.
Koden initially burst into the industry as one half of the acclaimed duo Sicaria Sound, formed in 2016 alongside Lou Nour. For years, the project was a pillar of Mala's Deep Medi Musik label and held a monthly residency on Rinse FM, taking the 140 BPM sound to festivals like Glastonbury and Outlook. After the amicable dissolution of the duo at the end of 2021, Ndeko embarked on her solo path, evolving toward a much broader and more personal sonic range.
In her current stage, the artist has released acclaimed works such as the double single 'Hot Take / I Did' (2023) and has signed EPs for the prestigious label Ilian Tape. Furthermore, her innovative '34U' project in 2024, where the fan community voted on which unreleased tracks should be published, earned her recognition as Breakthrough Artist by Resident Advisor and a nomination in DJ Mag.

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Technical anatomy of 'Broken Swing'
The 'Broken Swing' mix lives up to its name. The session moves away from the linear structures of traditional techno or house to enter the terrain of 2-step, dub, and fragmented rhythms. Koden demonstrates an impeccable mixing technique, combining heavy basslines with African percussion and unexpected vocals. This eclectic approach requires a deep understanding of low frequencies, something the producer has mastered perfectly since her beginnings.
There is no way I would be working in music today without my drum & bass foundations; it was my launchpad into bass music when I was a teenager.
— Mia Koden
The integration of these underground club sounds into the visually minimalist and analog format of My Analog Journal creates a fascinating contrast. While the visual environment invites relaxation, Koden's musical selection demands movement, proving that bass weight and auditory sophistication are not mutually exclusive concepts.
Cultural impact on the clubbing scene
Mia Koden's presence on mass-reach platforms transcends the purely musical. As a woman standing out in a branch of electronic music historically dominated by men, her figure has consolidated as an indisputable benchmark. Her current impact on the scene is supported by several fundamental pillars:
- Fusion of her African cultural heritage with the purely British tradition of the sound system.
- Innovation in the relationship with the audience through interactive and community-driven release formats.
- Ability to adapt aggressive 140 BPM and dubstep rhythms to deep and analog listening environments.
A milestone in the maturity of UK Bass
The premiere of 'Broken Swing' on My Analog Journal is not a simple weekly release; it is a clear symptom of the maturity and adaptability of the UK bass scene. By programming Mia Koden, Zag Erlat's platform demonstrates a laudable willingness to expand its horizons beyond the traditional world music format, embracing the modern history of British club culture. For her part, Koden reaffirms that her artistic vision is robust enough to shine both in a dark room at Control Club and in the intimacy of a studio surrounded by plants and vinyl. This crossroads enriches both audiences and underscores that the future of electronic music lies in the demolition of the borders between genres.






