Dany Gómez

Paradise at UNVRS and the hit Mi Combi

In the 2026 season, Dany Gómez returned to Paradise, Jamie Jones' party at UNVRS, for the second consecutive year. It wasn't just a cameo: at the same Ibiza club, she also played a date for Carl Cox, while Mi Combi —alongside Mason Collective, Ollie BC, and eMbi— surpassed one million streams, reached number one on the Beatport Tech House chart, and broke into the genre's Spotify playlists, with support from Paco Osuna, The Martinez Brothers, Joseph Capriati, GORDO, and Marco Carola.

Grood Taste, the bridge between Ibiza and Medellín

Cuban and Spanish, Gómez took her first steps in the Ibiza electronic scene and later consolidated her project in Medellín, where she is a partner at Grood Taste, a label and event platform. That house serves as both a studio and a community: it is the source of releases, residencies, and a network that connects Colombia with Europe. On the White Isle in 2026, she was a resident for Crème de Crème at Playa Soleil, with a weekly presence alongside names from the house and tech circuit.

Booths that mark the leap

Outside of Ibiza, her calendar took her to the Fabrik Anniversary, Loop in Portugal with Joseph Capriati, Bro Málaga with Mason Collective, and Time Warp Spain. She has also played at Cova Santa and Savaya (Bali), and has shared the bill with Dennis Cruz, Vintage Culture, Mason Collective, and Tony Guerra. In Medellín, she maintains her ties with Viuz and the Grood Taste parties, the other pole of her schedule.

Latin vocals, tech house, and long sets

Her sound is instantly recognizable: tech house, latin house, and afro house, with a foot in dancefloor minimal. Qué Pasaría, with ART NO LOGIA, approached one million streams and reached number one on the Beatport HypeTop in Minimal / Deep Tech. Mi Love, Modo Avión —Top 100 Viral in Medellín and Top 50 Viral in Colombia—, Adictiva, No Le Da, Loca, and Que Calor expand a catalog of singles and EPs that already circulate on Grood Taste, MVSON, or NUSONIDO. In the booth, she favors long sets, groove, and that two-hour complicity where the dancefloor and the DJ push each other at the same time.

A producer who no longer asks for permission

With Analog as her international booking agency and Grood Taste as her own engine, Gómez moves between Ibiza, Colombia, and the European circuit with an increasingly sharp identity: producer, DJ, and entrepreneur of a Latin scene that now sounds in the big booths. Her projection remains open, but the terrain is no longer that of a local promise: it is that of someone who has turned her Cuban-Spanish accent into a club weapon.