KRENON

The schranz that came out of Jaén at 155 BPM

Halfway between the most danceable schranz and industrial techno, KRENON's sets are recognized by dry kicks, a tempo of 155 to 160 BPM, and a dancefloor narrative that goes beyond mere forcefulness. Raised in Jaén, far from the circuits of Madrid, Barcelona, or Berlin, he learned to DJ during the pandemic with a Pioneer DDJ-400 controller and made the leap to solo production, self-taught and through trial and error, when no one was calling him from the surrounding venues.

Volvernos a Amar and the Blackworks circuit

The public breakthrough came in February 2025 with his schranz reinterpretation of Volvernos a Amar, by Lia Kali and Nanpa Básico. The track traveled through the dancefloors of CODE at Fabrik, Blackworks at IFEMA, and Industrial Copera in Granada, with the support of Skryption, Dexphase, and Noemi Black. On August 8, 2025, it was officially released on Propaganda pel Fet!, with proceeds going to the UAPO foundation. The remix surpassed one million streams and became his calling card, following his first gigs back in 2022.

From Münster to Dreambeach

Before that explosion, he had already left his mark on Definition Of Hard Techno, a German label, with the EP Whisper of Lullaby (May 2024), and had received backing from artists such as Svetec, O.B.I., Luciid, KUKO, GNRO, Fatima Hajji, and Vendex. His catalog has densified on Audiocode (Pray For Bass, 2026, with a remix by Temprano), Kink Social Records (Let the Beat), and Darkground Records, in addition to works on Mad Made and Agony. In the booth, his relationship with Skryption has translated into B2Bs at Copera and, in August 2026, on the Blackworks stage at Dreambeach Costa del Sol, right before David Guetta, a festival he had dreamed of since the pandemic ended.

Hardgroove, tour, and a horizon of festivals

His sound moves freely between hard techno, hardgroove, and industrial: hard, rhythmic, and with more melodic sections so that the set tells a story. He has played in Portugal and Los Angeles, has been a guest on Fernanda Martins' Tough Waves program, and has announced a Latin American tour with dates planned in Argentina, Chile, and Peru. Original tracks like Odisea Capítulo III, Perfect Cell, or PUSH TO THE LIMIT coexist with filmed sessions like Castle Session. In Jaén, he remains linked to Sala 32 and the Athmos collective, which gave him his first opportunities starting with drum and bass. The horizon he is now setting for himself is to take those same weapons to major events, from Monegros to Tomorrowland, where some of his productions have already been played.