ÜBERKIKZ

The kick as a narrative, not a shortcut

On the dancefloor, ÜBERKIKZ treats the groove as a language: hypnotic, raw, and minimalist techno, with hard groove from the late nineties and early 2000s, tribal percussion, and folkloric twists. Each session asks you to set aside thought and reconnect with a shared origin, beyond nationality, culture, gender, or sexuality. For her, music is the bond that brings a community together in the booth and on the dancefloor.

Russia, Wiesbaden, and the Berlin anchor of BCCO

Born in Russia and raised in Wiesbaden, she now lives and works from Berlin, integrated into the BCCO circle. There, she has curated the label's compilations—BCCOVA12 (2024) and BCCOVA16 (2025)—and has turned that orbit into one of the places where her selection is immediately recognizable: hard, bouncy kicks, synthetic tooly sounds, mental groove, and a spatial touch that blends archive and present.

Three times HÖR and the leap to DGTL Amsterdam

Her arrival at HÖR Berlin marked a point of visibility: on January 29, 2024, she signed a solo set of over fifty minutes, returned in June for a B2B with future.666, and closed the cycle on December 3, 2024, with another BCCO session. The platform's archive has hundreds of thousands of views. In April 2026, she brought that same tension to DGTL Amsterdam, at the NDSM docks, with a full hour-and-a-half set published by the festival itself.

From RSO to Bootshaus, FOLD, and INPUT

The European circuit has taken her to RSO.Berlin, Bootshaus in Cologne, Gotec in Karlsruhe, Fusion Club in Münster, Südpol in Hamburg, INPUT in Barcelona, and FOLD in London, in addition to events like Awakenings, Teletech, Unreal, Terminal V, Ikarus, Verknipt, and Brunch Electronik. In the booth, she declares herself more of a curator of an inner journey than an entertainer of viral peaks: she introduces with depth, leaves space, and builds a tension curve instead of a flat line of constant activation.

AYYY, FLINTA*, and a less toxic scene

Her management is handled by AYYY Management. In the scene, she openly positions herself against sexism, discrimination, and racism, and supports FLINTA* artists to occupy space in an environment that is still very masculinized. She continues to refine her identity as both a DJ and producer, with a sound she wants to be instantly recognizable: intense, emotional, and deeply human.