Supergloss

Trance as a beam of light

In a techno scene pushing towards high tempo and somber textures, Supergloss enters as a radiant counterpoint: late nineties trance, dirty acid, and 2000s rave, repositioned over contemporary percussion. Her sets do not hide the drama of long drops or 303 lines; on the contrary, she uses them to bring attention back to the dancefloor. The alias was born from an inside joke between friends—an addiction to lip gloss and the joke that Supergloss ist supergeil—and summarizes an attitude: a little shine never hurt anyone.

When HÖR changed the scale

Raised in Germany, she started classical piano at age five and, as a teenager, moved from the extroverted pop of Lady Gaga to hyperpop and hip hop. Club nights arrived in Hamburg, with furtive visits to Waagenbau; the definitive click was Berlin, where she lives and where she debuted in the booth in 2021. A Nature One at sixteen, with Dr. Motte, Kai Tracid, and Paul van Dyk, left her hooked on nineties trance. The international leap came in March 2023 with a DRIFT KYIV session for HÖR Berlin that exceeded 3.3 million views. Since then, she has played at Tomorrowland, Fusion Festival, and Love Family Park, and in clubs such as RSO.BERLIN, Mondo, RADION, Nitsa, and Badaboum. She has opened for Charlotte de Witte at Hakkasan Las Vegas, appeared on Boiler Room in Berlin and Intercell in Amsterdam, and has brought her sound to North America, South America—including a club in Puerto Montt, almost in Patagonia—and Asia.

Rave manifesto on Noom and X-IZE

Production came hand-in-hand with Omon Breaker: together they released the EP Visual Freak (2024) and maintain the acid techno duo Escape on Tape. In January 2025, she signed her solo debut on Noom Records with the double EP Space Office —The Days of Escape, Unshame— and, in April, Space Office (Part 2). She also remixed Are Am Eye? by Commander Tom. In August 2025, she founded X-IZE, a Berlin label that does not freeze the nineties, but filters that rave memory through the present: compilations, splits with Boston 168 and CIS, and more emotional and uplifting writing, even a goa cut like Astral Body.

Functional happiness on the dancefloor

Today she tours as a full-time profession. She has recorded the CLR Podcast 462 for Chris Liebing and a Recognise mix for DJ Mag, with booking through Manifesto Artists. Her goal is not to hypnotize through minimalism, but to return relief, melody, and deliberate excess to the dance: overstimulation with glitter, so that those two or three hours of free time are worth it.